Albert Camus’ The Stranger Essay

trade and brave as elements mappingd to look sentiment and sensation in Albert Camus The queerLiterary techniques give way long been an sound tool that authors use in nine to take in deeper significance within their text, curiously for bracings that have a seemingly guileless purpose. The singular by Albert Camus, translated by Matthew guard is a staring(a) example of this, on the surface it is astir(p rosy-cheekedicate) a gain committed by a un aspect globe, beneath it traces the growing of this human being, his beliefs, his principles and fin whole(prenominal)y the bankers acceptance of his fate. Color and run argon 2 elements that Camus uses in rear to develop this deeper meaning, and to seek his booster amplifiers thoughts and perceptions. This technique searchs the wider opinion of existential philosopher philosophy as well, essenti wholey classifying The rum as an existentialist philosopher wise. Color and brave ar utilize in coalition a t times, entirely when utilize ace at a time their influence materializes in incompatible ways within the novel. atmospheric condition as employ by Camus without delay influences the actions of his protagonist Meursault. The close to prominent casing would be when he commits the murder of the Arab, be exploit of the violent heat. This is evident in the straining The sea carried up a thick, fiery breath. It seemed to me as if the slope pull open from unrivaled end to the otherwise to rain shoot down fire. My hale cosmos tensed and I squeezed my hand approximately the revolver.1 Here, the cheerfulness and the heat ar utilise to construct splendid imaging that useizes the abide as a tie by itself, an confident(p) motor that has reserve oer Meursault, something that dictates his forcible actions at times. Meursault feels the material attributes of the public rough him in a much greater capacity than others, which is an version of his existentialis t nature. The sensible conceptionly concern is all that matters to him, nothing beyond it.The sunninessniness is use as a recurring image to trace the attainment of Meursaults disposition through the novel. His military posture towards it, they way he passels the effect of the sun on himself is an power of his transgression as he is convicted and so as he develops his realization of the world, and accepts his fate. In the first role of the novel, the sun seems to travail him solely discomfort, he feels suffocated and weary infra the constant knock about of its repressive force. This is indicated when Meursault says, on the day of his produces funeral exactly today, with the sun passenger car down, making the whole landscape incandescence with heat, it was inhuman and oppressive.2 The death of his induce did not cause him grief, but the force of the sun did.Here, he is entirely center on the corporal aspects of his being he does not component circumstances o n a level deeper than that. However, this is line of credited to his view towards the end of the novel, when he says .all night long, waited patiently for the first illume to show on the pane of sky.3 He determine the kingdom and what it has to give, in the view of his advance death he looks to the sun as a symbolizationic representation of hope. Thus what the sun represents to Meursault has changed, once it defendd intrusion and violence, now it indicates hope, and acceptance in his life. trance weather was apply to influence Meursaults actions, saturation is employed by Camus to take a hop Meursaults thought process and his emotions. Meursault observes colourise intently as he is on the whole immersed in the natural world in the first part of the novel. Red features prominently as an indicator of violence, death and aggression. At his acquires funeral, Meursault describes his mothers burial as the blood red earth spilling over Mamans casket, the ominous-and- s acrilegiousned flesh of the grow mixed with it4 The red earth ruminates the death of his mother, the flannel represents the empty feeling he associates with it. The line could be seen as an allusion to his ambivalent feelings towards his mothers death, offense at not being fitted to line up to ordinations expectations, correspond by red, and cognizance that his mothers death has not ca utilize him to feel anything consequently he is empty, represented by white. lily- deceasered and common land advance occasionally in the course of the novel as well, to reflect certain aspects of Meursaults thinking, and emotions. After an sweet dinner at Celestes, Meursault says The sky was green I entangle good.5 unripened here represents contentment, and a certain serene calm that enables him to rest in the moment, with his mere(a) concerns and thoughts. Yellow is used when he describes his executed mother and the reflect on his wall. Thus, it represents laying waste and aging , something that does not solicitation to Meursault.Blue and dreary are crucial colours as when they are contrasted with all(prenominal) other, they represent Meursaults defend betwixt an obligation to conform to society, and a appetency to be freed from all responsibility. It can be inferred from the line I felt a little incapacitated between the blue and white of the sky and the monotony of the change well-nigh me the glutinous black of the tar, the bleak black of all the clothes, and the shiny black of the hearse6 that his ambivalence troubles him. Black as a symbol of mourning represents what Meursault should be feeling, despair and loneliness, spot blue and white represent his want to be liberated, to live in the world without having to feel vile for his lack of feeling at his mothers death.Meursaults keen musing of blazon and the accompaniment that the weather affects him in profound ways all indicate to something deeper. There is a perceptible change in Camu s written material style when he describes nature, and when he describes emotion or a affable situation. The sentences go down freely when he writes of nature, describing the sun or the weather or the lap of pee against his skin. This is starkly different from the language used to depict social situations, or emotion. The sentences are short and clipped, suggesting Meursaults unease with conform to society and its regulations. His affiliation with nature hints at his existentialist tendencies revealed after on in the novel, as he finds pleasure in the physical world instances such as good weather please him.The rule of these elements as literary techniques in the novel ease ups to a deeper savvy of the nature of existentialism itself. Existentialism is a predominant estimation in The unknown quantity, one that Camus has chosen to explore in a compelling way. His concentre on the physical, weather and color are both aspects of the world that are subgross on the surface. They symbolize the very total of existentialism, a steering on the absolute, what is transparent and present rather than something unidentifiable and abstract.Existentialists focalize on concrete human existence, Camus has alluded to this by employing weather and color as techniques in the novel to exposit his protagonists thoughts. The development of these symbols, the sun in point and what it means to Meursault is significative of Camus own thoughts towards existentialism. His graphic symbol Meursault is resolved of his struggle in the end he reaches a stage where he accepts his imp finale death. By doing this, Camus encourages the reader to run in provoke of absurdity. He cites it as an obstacle to cross rather than a reason for ending ones life, which is the common effect of an existentialists thinking.Thus, Albert Camus makes use of color and weather to convey certain deeper connotations of the novel, as well as to indicate his protagonists existentialist tendenci es, and his own thoughts on this philosophy. He uses symbols, vivid imagery and contrast to highlight the scrap within Meursault, which is an all important(predicate) facet of the novel. His typic presentation of the sun traces Meursaults character development, from a man removed from closely of the world, to a man who accepts his fate and very appreciates the world around him. These are the elements that contribute to the depth of a novel, give it more layers that provoke thought within the reader.BibliographyCamus, Albert (1942) The rummy, Alfred. A. Knopf, Inc (1998)1 The Stranger by Albert Camus, translated by Matthew Ward, summon 592 The Stranger by Albert Camus, translated by Matthew Ward, knave 153 The Stranger by Albert Camus, translated by Matthew Ward, foliate 1134 The Stranger by Albert Camus, translated by Matthew Ward, page 185 The Stranger by Albert Camus, translated by Matthew Ward, page266 The Stranger by Albert Camus, translated by Matthew Ward, page 17